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Saturday, June 30, 2012



Joe’s excellent post on the magic words “What if?” got me thinking about the crucial importance of concept.

I was going through some old files the other day and came across this little scrap of paper from several years ago. I remember it well. I was on a trip to talk with my publisher at the time, Zondervan, and to pitch some projects.

I had an idea that had been chugging around my brain for awhile. It was based on two things. First, an uncomfortable encounter with someone from my past who was insistent on edging back into my life.

The other was the plot of one of my favorite novels, The Executioners by John D. MacDonald (basis of the Cape Fearfilms).

I put those two items together. This is a great method of coming up with plot ideas, by the way. Dean Koontz has been a master at this. For instance, Midnight,one of his best thrillers, is a cross between Invasion of the Body Snatchers and The Island of Dr. Moreau. Koontz even references those titles in the book itself, to “wink” at the readers who recognize the plot lines. But the characters and setting are original creations. 

Anyway, I was in the hotel room in Grand Rapids and jotted this:

How far will a man go to protect his family? For lawyer Sam Trask, it's farther than he ever thought possible. Because when an unwelcome presence from his past comes calling, bent on the destruction of his family, Sam must leave the civilized corners of the law and journey into the heart of darkness.



Not bad for an on-the-spot jot on Holiday Inn note paper. The concept was the basis of my novel No Legal Grounds (2007), which became a bestseller and is still one of my favorite thrillers.

The reason: concept. If you don't get your concept solid and simple from the start, you're likely to wander around in soggy bogs and down random rabbit trails.

A writing teacher once told me that the most successful movies and books are simple plots about complex characters. I think he has something there. You should be able to articulate your concept in a few lines.

A self-centered Southern belle is forced to fight for her home during and after the Civil War, even as she fights off the charms of a handsome rogue who looks exactly like Clark Gable.

To get back home, a Kansas farm girl has to kill a wicked witch in a land full of Munchkins and flying monkeys. Aided by a scarecrow, a tin man and a lion with issues, she faces dangers aplenty along a yellow brick road.

A vigilante nun cleans up the streets of L.A. Sinners beware. (Okay, I know, shameless. But it truly defines Force of Habit for me, and will for the entire series).

A simple, strong concept is your anchor, your floodlight in the darkness. It will keep you focused and writing scenes with organic unity.

In real estate, it's location, location, location.

In fiction, it's concept, concept, concept.

Make sure you know yours before you start writing.

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I will be taking students from their concept through “sign post scenes” up to indestructible structure at my upcoming 2-day writing seminars. Would love to have you. Details can be found here.

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